1 00:00:00,100 --> 00:00:10,630 I’d like to show you how the vocal tract changes in a song, 2 00:00:10,630 --> 00:00:18,930 for example, in this excerpt of the aria from "Madame Butterfly" . 3 00:00:31,600 --> 00:00:35,760 Seeing the vocal tract is very easy with an endoscope 4 00:00:35,760 --> 00:00:43,220 but sometimes the changes are very fine 5 00:00:43,220 --> 00:00:44,220 and it's difficult to appreciate them. 6 00:00:44,400 --> 00:00:54,260 I am going to close my cavity with my tongue 7 00:00:54,260 --> 00:00:58,810 placed back or “engolado” as the singers say, 8 00:00:58,820 --> 00:01:00,250 back against the palate 9 00:01:00,250 --> 00:01:08,860 and you will see the difference in the sound 10 00:01:08,860 --> 00:01:11,870 We can note hardness. 11 00:01:30,000 --> 00:01:31,700 The voice is strong, 12 00:01:31,700 --> 00:01:42,000 the diaphragm air pressure can’t get out 13 00:01:42,000 --> 00:01:44,780 because the tongue prevents it. 14 00:01:46,200 --> 00:01:50,900 In the good version, 15 00:02:12,350 --> 00:02:24,380 the air is released from the diaphragm, 16 00:02:24,380 --> 00:02:26,000 the sound is not hard 17 00:02:26,000 --> 00:02:29,160 because it doesn’t find an obstructed tract, as the tongue is not pressed against the back. 18 00:02:29,160 --> 00:02:31,350 What I do is to search for a cavity 19 00:02:31,350 --> 00:02:33,870 to permit the sound to resonate 20 00:02:33,870 --> 00:02:49,150 It is the "l'impostazione" 21 00:02:51,950 --> 00:02:53,620 We must always look for space. 22 00:02:53,620 --> 00:02:59,480 For me, the are three essential factors for the voice: 23 00:02:59,490 --> 00:03:04,420 resonators, air and opening 24 00:03:04,420 --> 00:03:07,660 But the opening is very important for any phrase 25 00:03:07,670 --> 00:03:08,670 for any sound 26 00:03:17,960 --> 00:03:28,900 We are talking about millimetric movements. 27 00:03:32,800 --> 00:03:33,920 When a singer says: 28 00:03:33,930 --> 00:03:39,480 "I'm going down the throat to give an high note" 29 00:03:39,480 --> 00:03:44,580 this movement is only 2 or 3 cm 30 00:03:50,530 --> 00:03:52,120 But if I doesn't move the larynx 31 00:03:52,130 --> 00:03:54,360 the sound does not go out. 32 00:03:56,850 --> 00:03:59,460 For me impostazione is the most important thing 33 00:03:59,470 --> 00:04:06,000 and it depends of the space from vocal tract 34 00:04:06,000 --> 00:04:15,280 above all in a lyric voice that must use the voice without microphone 35 00:04:15,280 --> 00:04:19,420 and most of the time, an opera singer is alone 36 00:04:19,430 --> 00:04:24,700 in front of 60 instruments and you must go over them 37 00:04:24,710 --> 00:04:26,180 And if you haven't a good opening 38 00:04:26,180 --> 00:04:27,890 if cavity isn't like the lion 39 00:04:27,890 --> 00:04:29,160 the sound cannot pass 40 00:04:29,170 --> 00:04:33,030 Before you leave, I invite all of you 41 00:04:33,040 --> 00:04:35,710 to put your head inside the chamber 42 00:04:35,720 --> 00:04:37,620 and you can say something, 43 00:04:37,620 --> 00:04:38,680 your name for example, 44 00:04:38,680 --> 00:04:40,480 to feel the amplification 45 00:04:40,480 --> 00:04:48,120 It's amazing what we have found there, fantastic. 46 00:04:48,120 --> 00:04:51,690 So, to finish who wants to put their head into the resonance chamber. 47 00:04:51,690 --> 00:04:54,400 You have to discover that the vibration of your voice 48 00:04:54,400 --> 00:04:56,630 engages the vibration of the resonance chamber. 49 00:04:56,630 --> 00:04:59,300 One person can say a vowel and almost no sound is produced. 50 00:04:59,300 --> 00:05:00,400 And, however, another person says 51 00:05:00,400 --> 00:05:01,960 "Well, it's spectacular." 52 00:05:01,960 --> 00:05:07,190 The camera has a vibration, due to its shape 53 00:05:07,190 --> 00:05:08,820 the materials which it is made of... 54 00:05:08,830 --> 00:05:09,830 As soon as you find it, the sound you produce is powerful. Use this opportunity to put your head into the chamber and hear how your voice is enhanced. Or with what you have seen here, build something similar and find that coupling.